Documentary about the making of French director Claude Chabrol's first film Le Beau Serge in 1958.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

Laurence is twenty. She began taking dance lessons when she was found and a half. With her baccalaureate exam behind her, she decides to move to Paris to earn her living as a dancer. She chooses the Moulin Rouge for, as she says, "it is part of the French heritage". Other young women from all corners of the world have come to take up this "famous" contract. In the company of Laurence, Korin, Karin, Joanna - we discover the atmosphere the off-stage goings-on and the traditions of this dream-inspiring place. There is Janet, the choreographer, and Amanda, the dance coach, who together, in three weeks of non-stop work, will drill into the girls the art of the French cancan, the centerpiece of the show "Formidable". Early in May, the première arrives. Decorated in sequins and feathers, the girls step out ready to dazzle Paris.

Eckhart Schmidt interviews Claude Chabrol.

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Spring 2004, a house with a large garden welcomes filmmaker Claude Chabrol. He is about to celebrate his 54 films and 74 years of age. Thomas Chabrol, the filmmaker's son, as the perfect butler, is checking the table. "Figu", Claude's film sutler, plunges a lobster into the cauldron... The great merry-go-round can begin!

In this program, directed by Jean Pierre Devillers, actor Isabelle Huppert and director Claude Chabrol reflect on their special bond as collaborators and friends. It aired on French television on December 23, 1998.

Legendary French film director and Nouvelle Vague co-founder Claude Chabrol takes us back to the mid-fifties, when he and then-fellow film critic François Truffaut met and interviewed Alfred Hitchcock under hilarious circumstances. Chabrol then describes how he went on to write, with Eric Rohmer, the first book on Hitchcock, and even served as a consultant when Hitch came to Paris to direct his film TOPAZ. Several key scenes from Hitchcock movies, with a special emphasis on UNDER CAPRICORN, are discussed and dissected.

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